Books, Latino culture, poetry, poets, Writing

Singing At The Gates: Selected Poems

Singing At The Gates: Selected Poems
Singing At The Gates: Selected Poems

Jimmy Santiago Baca, an award-winning writer and poet (National Endowment of Poetry Award) does it again. Singing At The Gates is a collection of new and previously published poems that reflect back over four decades of Baca’s life.

This selection of poems includes his early work as a budding poet, written while he was 18 years old and serving a five-year prison sentence, poems drawn from his first chapbook and recent pieces on family, nature and the environment.

“What an achingly beautiful collection this is. So split open, so raw, honest, vulnerable, real. Spanning Baca’s life in poetry, you feel the enormity of his heart and intelligence.” —Natalie Goldberg, Writing Down the Bones and The True Secret of Writing

When I read poetry, it’s usually two or three poems at a time. I’m partial to shorter narrative poems that are rich with description and weighty with a single word. My favorite poets are mainly women but sometimes I’m drawn to a poem by a male poet such as Jimmy Santiago Baca.

Baca’s voice captured me at his introduction and I didn’t want to stop reading until I was exhausted.

“I love the growl of poetry, the staggering crash of idols and the burning of literary pacifiers…writing was for me, everyday-me snatching memories and writing them down before the fire of forgetfulness and trauma relegated them to the dark chambers of amnesia…I take only what I can carry and what is most meaningful to me-and that is the narrative, the story, the poem.”

The rawness and vulnerability that Baca writes about in the first half of the collection is so heavy, at times, that my emotional exhaustion came after five or six poems. Many of the poems are viscerally descriptive:

“I wear the moon like yanked out roots

glowing orange

in my heart’s fang as I search for secrets

in my life”

Approximately halfway in the collection we come to poems of awakening, growth, family and celebration.

“The reason I wake this morning

is because those people who’ve lived

through tragedies and loneliness and

anxiety found in their shattered-pottery

hearts fragments that fit perfectly

into the puzzle of night stars,

into the joyous cry

of a child at dawn

dashing out on the playground,

into the hands of men like me

who rise and dress and walk

out the door, culling from winter night

residues of summer

to dream a bit more

of the growing season.”

The last third of the collection is from 1998 to present. In Baca’s poem “It Makes Sense To Me Know,” he writes about his time as a volunteer teacher of reading and writing. He asks the children to write a letter poem about their journey to America and describes a shy little girl asking him to sit on the floor next to her as she stood on a small stage in a bookstore.

“When she uttered that first word/a glint of light sparked across her brown eyes into the world, as if it were/golden/speech without sound. I sat amazed/at the light in her eyes, igniting a memory/in/me–when/I too recited my first poem. The intensity/and/radiance of/a child reaffirmed my original reason for/writing, one I had forgotten along the way./Suddenly/I knew, keeping the light intact,/not teaching writing, not to mold or direct,/just to keep it burning, blowing on the /embers so hope doesn’t go out…”

I cannot name one favorite poem but I have a top ten list of Baca’s poems because there are so many touching, gripping, slap you upside the head words of poetry in this 254 page collection (for Kindle).

Singing at the Gates debuts in January 2014 but is available for pre-order through Amazon, Barnes and Noble, and other bookstores. I read the collection as a participant of NetGalley.

Books, Encouragement, Writing

Writing From the Neck Down-advice from Janet Fitch

The Labyrinth at Ghost Ranch
The Labyrinth at Ghost Ranch

One of the greatest rewards of attending A Room of Her Own (AROHO) writer’s retreat was the ability to listen to writers I’ve long admired. One of these writers is Janet Fitch, the author of a beloved book of mine: White Oleander.

When I read White Oleander, back in 2001, I was working with youthful offenders in a correctional facility. Most of them had been in the foster care system (like the protagonist in White Oleander). I often wondered how this writer managed to capture the loneliness and sense of hopelessness felt by foster kids and put these feelings into a poetic narrative.

This quote is one of my favorites:

“The pearls weren’t really white, they were a warm oyster beige, with little knots in between so if they broke, you only lost one. I wished my life could be like that, knotted up so that even if something broke, the whole thing wouldn’t come apart.” ― Janet Fitch, White Oleander

While at AROHO, I was too awe-stricken to approach Janet Fitch and let her know how much her book meant to me. Her book was one of the reasons I wanted to begin to write. I must confess that my “awe-struckness” diminished when I observed how down to earth Ms. Fitch carried herself among the group. She sat in the audience like the rest of us, mixed and mingled, strolled the grounds without an entourage, and pleasant to everyone. I relaxed even when I ended up sitting next to her at a presentation. I didn’t take the opportunity to tell her how much I love her writing (I’m a classic introvert).

My “awe-struckness” reared its head again when I inadvertently caught up with her on a stroll down a dirt path. For four days I planned to walk the labyrinth and rake the zen garden. During break time I hustled down the road towards the labyrinth. The woman slightly ahead of me wore a very cool, tightly woven black and white sun hat. I commented on the hat. Janet Fitch turned around and replied, “Thank you.” She then proceeded to tell me that she found my presentation, the night before, powerful and advised me to send my writing to a journal, giving me the specific title and editor’s name. I had to work at closing my mouth while I nodded in appreciation. She was trying to find a place to paint and we walked until we found the right place for her to paint the mountain behind the labyrinth.

But I digress. Back to the title of this post. Later that day Janet made a presentation “Writing from the neck down.” Her first point was that most writers stay “above water,” when writing.

Janet FItch-AROHO 2013
Janet FItch-AROHO 2013

“We have to write about the 9/10’s that are beneath the water.”

So how do you get below the waterline to write the deep stuff, the emotional, the essence that writers need to put on paper?

  • by chance, synchronicity, by opening yourself up
  • write down a word, then question it: “…it was high,” well how high was it?
  • write down the emotion and ask what does that emotion mean? use the word as a prompt, write it out, draw it out, paint it out
  • let your writing go, incorporate what you smell, feel, hear, touch, taste and see around you

An interesting story Janet talked about was her muses. She has five great authors she sits with for tea (in her imagination) in her parlor. She asks them questions about the work she is creating. Unfortunately, I didn’t capture all five but here are four to give you an example.

  1. Dillon Thomas-she goes to him about words
  2. Carl Sandburg-she discusses humanism
  3. Sei Shonagon (11th Century Japanese writer/poet)-she discusses beauty
  4. Sor Juana-I’m not certain but I think it was for her poetry

When it comes to writing novels, she says that she does a visual meditation about the protagonist and asks the following:

  • “What’s up with you?” and then listen
  • Interview your character. Jot down what you hear
  • “What do you want me to say for you?”

Now, write a scene. Now another-keep going.

Did you move your protagonist from one scene to the next using the senses, emotions, and her inner world? If you did, these exercises helped. If not, well, go back and meditate a little more or take a slow walk and be amazed at the hundreds of things around you. Touch the leaves of a flower, photograph outstretched branches, look at the clouds, see your reflection in the water. Go and seek out the miraculous.

You can visit Janet FItch’s blog to find valuable tips such as ” 10 Writing Tips That Can Help Almost Anyone.” 

You will also find this blog, by fella AROHO writer Barbara Yoder,  filled with more info about writing from her small group sessions with Janet Fitch.

“Live like a poet. See the world differently. Search for the miraculous. Be more amazed.”- Janet Fitch

Thanks for stopping by and write on.