Cesar Chavez, Cesar Chavez Day, Dignity, Inspiration, Latino culture, Social Justice, UFW

A March Down Memory Lane

Cesar Chavez-1974
Cesar Chavez-1974

 

When I drove my car over the railroad tracks, my friend, Dani, said she had never been to La Colonia, the working class neighborhood of my birth and youth.

I felt my memories stir.

We drove pass decorated bakeries, ‘hole-in-the-wall’ restaurants, liquor stores, and the very old, concrete church. A blend of sweet and spicy aromas entered my car.

La Colonia, which literally means, “The Colony” or neighborhood, had and still has a negative connotation by many because of the crime-much of it perpetuated and unevenly reported by the media.

Police cars blocked off a few of the streets, so I went down the well traveled pot-holed alleyways to find parking.

“Those fences must be ten or twelve feet,” my friend, a retired teacher, remarked on the chain link fences surrounding an elementary school. “I’ve never seen them that high.”

We left my mom off so she could join the people on the fire truck. In her eighties now, she didn’t have to walk the 4.5 miles to mid-town.

I felt proud of my mother. She always “walked the talk.”

Dani and I walked a few streets to join the well organized crowd of 1,000 people for the commemorative march for Cesar Chavez day. (A holiday in only 11 states). I smiled to see so many people on an early Sunday morning.

Around me were monitors for crowd control. While Dani and I waited for the march to begin I stepped outside the double yellow street line to snap a photo. One of the monitors waved at me to get back in line-just doing her job and a good one at that.

Cesar Chavez March-Oxnard, CA-alvaradofrazier.com
Cesar Chavez March-Oxnard, CA-alvaradofrazier.com

The signal was given to begin. Women with strollers, a Brownie and Daisy troop, a Congresswoman, and people of all ages holding UFW flags or wearing T-shirts depicting Cesar Chavez or Dolores Huerta began to move forward.

 

While we walked, I pointed out the housing project. “It looks so modern now, like condo’s, not at all how they looked when I lived there,” I said. Back in the 60’s/70’s the ‘projects,’ were flat topped, square looking buildings painted army green and dingy yellowed cream.

 

The roofs and overhang section had hundreds of rocks, which were used for many a rock fight. I noticed that the old telephone poles still abounded, their low hanging electrical lines a hazard.

 

At the corner, the church where I had my eight grade graduation and my first marriage, stood with a big banner across it, “Mariachi Mass for Mother’s Day.” Behind that church was the Catholic grammar school, where my sisters, brother, and cousins attended first to eighth grade.

 

“Hey, wait, are some of these places in your story?” Dani had read one of my manuscripts.

“Yep, my neighborhood is the setting,” I said with some nostalgia.

 

Soon we passed small houses, many filled with flowers and fruit trees, squeezed into miniscule front yards. Several women and children leaned on their fences and watched us walk by, a moving wave of red flags, banners, and colorful tee-shirts.

 

An elderly man in a walker stood on his porch. With one hand, he gripped his walker, in the other he held up his red with black eagle flag.

 

The red line moved forward as a slow wave of water. Chants of “Si Se Puede,” “Viva Cesar,” and “Justice,” rang out around us. I felt my heart stir.

 

Cesar Chavez March-Over the Bridge-Oxnard, CA-alvaradofrazier.com
Cesar Chavez March-Over the Bridge-Oxnard, CA-alvaradofrazier.com

The march slowed to a stop as we made the turn to the bridge. “I remember when we didn’t have a bridge,” I said. “We took the city bus to school. If the train was stuck on the tracks, which happened half the time, their was no way out of Colonia.

The group of us would be late for school. When I went into the office for a late note, someone would inevitably say, ‘must be a Colonia kid.’

Over the bridge we flowed, 1,000 of us, to the plaza park area. My march down memory lane was over but it’s never forgotten.

Cesar Chavez Day March-Oxnard, CA-alvaradofrazier.com
Cesar Chavez Day March-Oxnard, CA-alvaradofrazier.com

 

After the march ended and the Aztec Dancers finished with a ceremonial dance, we entered the movie theater to watch a movie on Cesar Chavez.

The film was very well done, with historical facts blended with personal, family dynamics.

I have to say that Michael Peña and America Ferrera did a much better job than I thought they would, based on their other movies. I wished Rosario Dawson, as Dolores Huerta, was given a meatier role as Dolores Huerta deserved.

This movie is one that everyone should see to further their knowledge of social justice, non-violent activism, and history.

Happy Birthday, Cesar, and may future generations come to recognize your non-violent work for social justice, worker’s rights and equality.

Authors, Book Review, Books, Boycotts, Cesar Chavez, Family, Latinos in film, Uncategorized

América and Anthony Quinn

America's Dream

Ever since I figured out how to use the Goodreads widget I’ve been posting reviews on books I’ve read.

Either the widget is dead, malfunctioning or my brain is on overdrive and I’ve forgotten how to use the darn thing, but the widget is not working. Hence, here are reviews on the two latest books I’ve enjoyed in the last month.

América by Esmeralda Santiago

América Gonzalez is a hotel maid at an island resort off the coast of Puerto Rico. She cleans up after wealthy foreigners who look past her as a non-entity. Her married boyfriend, Correa, beats her and their fourteen-year-old daughter thinks life would be better anywhere but with América. When a wealthy, too busy, family asks her to work for them in the United States, América plans her escape from Correa and her old life.

Domestic violence, family dynamics, fear, and choices are themes in this novel. The ongoing violence that América endures is sometimes difficult to read. One feels like yelling at her to drop the bastard and make better decisions, however the author illustrates that this is no easy task. 

Reading about a character who makes poor choices can often be a turn-off, however the author engages the reader by describing the protagonist and her backstory effectively.

Beautiful descriptive prose keeps you reading but the redundant descriptions on setting is sometimes too much and the eye wants to scan for the forward movement in the story.

I love the dialogue, the emotional reactions, and interplay between the maids. I loved how the author gave us the dialogue between the mother and protagonist. The villain in the story was well played.I learned some things about Puerto Rico, the culture and language which is a plus in my opinion.

I didn’t like the way the daughter’s character was written. She had the same extremes of reaction over the entire book.

These glitches may be because this is the author’s first novel (1996). I would definitely read Esmeralda Santiago’s other books.

one man tango

One Man Tango by Anthony Quinn and Daniel Paisner

Description from publisher:

“While bicycling near his villa in Ceccina, Italy, veteran actor Anthony Quinn begins a remarkable journey of self-discovery through a varied and colorful past–and delivers one of the most fascinating star biographies ever written. Resonating with Quinn’s own passionate voice, an infectious zest for living, and a wealth of juicy anecdotes, One Man Tango is by turns resilient and caustic, daring and profound. It is a memoir as bold as the man who wrote it. Includes a 16-page photo insert. HC: HarperCollins.”

Anthony Quinn was a hero of many Latino’s, being that he was a well known actor in the ’40-’70’s when few Latinos were on the big screen. Not only did he come from Mexico, but he grew up in East Los Angeles. He was associated with the Kennedy’s, Catholics, Cesar Chavez, laborers, and California politics which further endeared him to the Mexican American community.

I couldn’t help loving this book.When I read the memoir it was as if Anthony Quinn himself was in my family room recounting his memories. He lived as passionately as his many love affairs.

Remember Zorba the Greek? Well, Anthony Quinn had that enthusiasm for living. His early life was one of extreme poverty in Mexico, with his Mexican Irish father who fought in the Mexican Revolution, and his Mexican Indian mother. 

The memoir is as fast paced as his bicycle ride through the hills of Ceccina, giving the reader an insight into the hills and valleys of the actor’s life, which is fascinating. Besides being an actor he was a laborer, boxer, artist, vintner, writer and philanthropist.

His memory of the movie stars, producers, and directors that he worked with is fascinating, juicy and very entertaining. He worked with Marlon Brando, Laurence Olivier, Mickey Rooney, Carole Lombard, Maureen O’Hara, Rita Hayworth, and numerous other memorable actors. His memoir reads like a Who’s Who of Hollywood and the world, with all the side dishes that go along with these characters.

Particularly interesting was his experiences and conflicts with mobsters, politicians, and movie moguls, including his father-in-law, Cecil B. De Mille. Their family dynamics were extremely interesting.

Anthony Quinn often reminisces about his poor choices, the emotional turmoil he put his wife and family through, and looking back it seems he regrets some of his decisions. But what also comes through the memoir is that he loved his family like a ferocious lion.

This memoir is one of the most well-written, insightful, and candid story I’ve ever read. There are many beautifully written phrases and visuals that make you feel you are on that bicycle ride through the towns and cities of Mexico, East Los Angeles, Hollywood, and Italy.

as Eufemio Zapata with Marlon Brando's Emilian...
as Eufemio Zapata with Marlon Brando’s Emiliano Zapata in Viva Zapata! (1952) (Photo credit: Wikipedia)