Dennis Mathis, Shelly Lowenkopf, Talking Heads, Ten Ways Writers Confuse Readers, TFS, Writing

Ten Ways Writers Confuse Their Readers-Part II

How many ways are there to confuse a reader? I don’t know because the reader will throw the book down when the writing bores or frustrates them to death.

A couple of days ago I posted how writers confuse their readers. Here are five more, three from Dennis Mathis-Editor and two from my writing instructor Shelly Lowenkopf.

6. Negative Description- “He was not an aggressive driver. He didn’t speed or switch lanes or use his horn. She showed no hint of anxiety.” We don’t want to know what’s not there, we want to know what is there.


7. Commas- “I assumed his death would be reported by the press and the police checkpoint came as no surprise.” Self-explanatory.

8. Map-Making- “He climbed ten steps, walked twenty feet down the hall, turned left, walked east halfway down the corridor and knocked on the third door on the right.” It’s supposed to be a story, not a Thomas Guide.

9. Talking Heads-A long string of dialogue with no action, conflict, description, or dialogue tags (‘he said’). “A lamentable condition arising when two or more characters in a scene exchange dialogue with only minimal accompanying gestures. Individuals converse in real life. (They) use dialogue and agenda as though each were a volleyball being batted back and forth over a net.” From Lowenkopf’s “The Fiction Lover’s Companion (TFLC).”


10. TFS- Writers who are overly given to descriptions and explanations. The reader wonders where he/she is going.  The story should begin in the opening chapter, even the first page, not buried in chapter three. Tell the Freaking Story. (Also in TFLC).

Avoid these 10 pitfalls and you’ll be on your way to taking a reader along with you on your storytelling journey. Commit these errors and very possibly lose current and future readers.

Anne Lamott, Kristen Lamb, NaNoWriMo, Shelly Lowenkopf, Storyfix, Writing

NaNoWriMo: Story Structure

mmmmound.blogspot.com

To avoid a twelve car pile up, I am approaching my NNWM project with a semblance of organization.  Before I organize I need to review the fundamentals, stored away in a big purse somewhere, and see if I have most of the things I need to get my NNWM party started.

Okay, so in the giant purse I need to find the idea, the characters, the story/plot, setting, and theme. Right now I’m vague on the idea, but I have a couple of them germinating and I think I’ll have a female teenager as the main character. So I tossed those to the side and found “story/plot.” Now I’m waffling. I think I need to review those items.

For assistance I took a look at some of my favorite  blogs and found some good advice just in case someone out there in the blogasphere is going to the NNWM party.

Mark Twain said that the first rule of writing was “that a tale shall accomplish something and arrive somewhere.” Pretty loosey-goosey for the great American writer but the quote is indisputable. Between “accomplish something and arrive somewhere” can be a vast wasteland or a lush path of unforgettable story. To help us stay away from the wasteland and into the greenery I’ll share the following:

Kristen Lamb author and editor is sharing her wealth of knowledge about story structure. She reminds us that learning narrative structure is a basic building block to writing a good novel. And the most basic of the basics of the building blocks are cause and effect. We have a beginning, middle, and end of a novel and each has to have cause and effect, strung together to form scenes or chapters. Ms. Lamb has devoted several posts to structure.

Over at Larry Brooks‘s Storyfix (an award winning blog for writers), is his two minute exercise for understanding story structure. Pretty interesting way to learn especially if you are a visual learner. He says story structure is storytelling. No structure, no story, no sales. Pretty cut and dry.

 Shelly Lowenkopf says, in his book The Fiction Lovers Companion, that story is a bundle of information bits about characters, strategically deployed to produce a series of on-going emotional responses culminating in a emotional payoff. He also says a whole lot of other good stuff but I’ll end with a frequent comment of his: “no conflict, no story.”

And Anne Lamott in Bird by Bird, one of my favorite books on writing, created a mnemonic device to help writers remember how to write story/plots that work: Action, Background, Conflict, Development, and End.

But enough about story structure and plot. It’s time to relax and think about the idea some more before I grab my purse and head out to the party.

openhand.com