Encouragement, Inspiration, poetry, query letters, Writers, Writing, Writing classes, writing conferences, Writing groups, writing tips

Four Secrets to Poetic Prose-Part 2

Secrets-gettyimages.com
Secrets-gettyimages.com

 

I have to tell you, I want to be a better writer.

I have stories to tell the world, and I’m tired of  my seven member critique group being the only ones to read them.

They may be tired of them too.

For almost six years, I’ve been writing stories which became an Adult Contemporary and two YA manuscripts.

I’ve spent the last year sending out queries, synopsis’, revising, and doing it all again. Still, no agent.

If you’re a writer, you might have a similar scenario to tell.

Until that ‘golden’ e-mail or phone call, I need to keep writing and improve what I’ve written.

I will not quit and neither should you.

 

That’s why I look for low cost classes. So many of us can’t afford to get an MFA or attend $400-$600 conferences.

But don’t let high prices stop you from improving your writing.

 

A few days ago, I posted the first two secrets to poetic prose, as described by author and poet, Sonya Sones.

Poetic prose refers to a narrative with some of the technical or literary qualities of poetry such as rhythm, patterned structure, or emotional heightening.

Let’s continue with the last two secrets:

 

3. The Rhythm of Three:

All sound breaks down into some sort of pattern of sounds. The syllables are either unstressed or stressed, pronounced more strongly, which gives us a beat and type of melody. 

In the children’s book, Grandfather Twilight by Barbara Berger, the entire book is almost all written with a rhythm of three (there are ‘non-three’ lines between the rhythm of three):

When the day is done, he closes his book, combs his beard and puts on his jacket.

He lifts the strand, takes one pearl from it, and closes the chest again. 

Can you hear the rhythm?

 

4. The Use of Trochiac:

Low vowel sounds evoke sadness. Use the ooh, o, um, and ah sounds.

Tell me not in mournful numbers  

Words such as  lost, roam, lunatics, olive, watching, rocking are examples of a trochee.

Lost Dog-gettyimages.com
Lost Dog-gettyimages.com

Ms. Sones gave us a prompt: “My dog is gone,” and gave us five minutes to write a few lines using trochee:

My dog is gone, lost, not loaned,
did he roam, lose his way home?
Does he groan somewhere, all alone?
A romp in the grass, and now he’s gone
Is he far from home?
No nuzzles, no cuddles, no paw raised high
Does he wait, watch for me, all alone?

 

It’s not the best 5 minute poem, but it does sound sad.  Using low vowel sounds is a useful and fairly easy way to express a  mournful or sad scene.

So there it is, four ways to enrich your writing.

Keep looking for courses you can afford, keep reading and happy writing.

 

 

 

Books, fiction, Writing, writing conferences

Writing Tips and Diversity Points at the SCBWI Winter Conference

There’s not enough time or money to go to all the writing conferences one wishes to attend, however getting a participant’s viewpoint is often valuable.

The Society of Children’s Book Writers and Illustrators has been a worthwhile organization for me to belong to because of their newsletters, booklets, and free market guide to publishing for children.

Here are several tips for writing contemporary and middle grade fiction from the SCBWI Conference.

missdguzman's avatarLatinxs in Kid Lit

By Cindy L. Rodriguez

This year's SCBWI conference folder. Artwork by David Diaz, design by Sarah Baker This year’s SCBWI conference folder. Artwork by David Diaz, design by Sarah Baker

The Winter Conference of the Society of Children’s Book Writers and Illustrators in New York is kind of like a massive family reunion, with all 1,000+ people having a love of children’s literature in their  blood. It’s very cool for me to break away from my full-time day job as a middle school teacher and attend this annual gathering of creative people who all want to be published or work in some capacity with kid lit. While this love of children’s literature is the common denominator at the conference, the attendants are diverse people with myriad interests. Because of this, my ears naturally perk up when speakers address diversity in publishing.

The SCBWI did not have a specific panel or break-out session dedicated to diversity in children’s publishing, but speakers included Raul Colón, Shadra…

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