Encouragement, Inspiration, poetry, query letters, Writers, Writing, Writing classes, writing conferences, Writing groups, writing tips

Four Secrets to Poetic Prose-Part 2

Secrets-gettyimages.com
Secrets-gettyimages.com

 

I have to tell you, I want to be a better writer.

I have stories to tell the world, and I’m tired of  my seven member critique group being the only ones to read them.

They may be tired of them too.

For almost six years, I’ve been writing stories which became an Adult Contemporary and two YA manuscripts.

I’ve spent the last year sending out queries, synopsis’, revising, and doing it all again. Still, no agent.

If you’re a writer, you might have a similar scenario to tell.

Until that ‘golden’ e-mail or phone call, I need to keep writing and improve what I’ve written.

I will not quit and neither should you.

 

That’s why I look for low cost classes. So many of us can’t afford to get an MFA or attend $400-$600 conferences.

But don’t let high prices stop you from improving your writing.

 

A few days ago, I posted the first two secrets to poetic prose, as described by author and poet, Sonya Sones.

Poetic prose refers to a narrative with some of the technical or literary qualities of poetry such as rhythm, patterned structure, or emotional heightening.

Let’s continue with the last two secrets:

 

3. The Rhythm of Three:

All sound breaks down into some sort of pattern of sounds. The syllables are either unstressed or stressed, pronounced more strongly, which gives us a beat and type of melody. 

In the children’s book, Grandfather Twilight by Barbara Berger, the entire book is almost all written with a rhythm of three (there are ‘non-three’ lines between the rhythm of three):

When the day is done, he closes his book, combs his beard and puts on his jacket.

He lifts the strand, takes one pearl from it, and closes the chest again. 

Can you hear the rhythm?

 

4. The Use of Trochiac:

Low vowel sounds evoke sadness. Use the ooh, o, um, and ah sounds.

Tell me not in mournful numbers  

Words such as  lost, roam, lunatics, olive, watching, rocking are examples of a trochee.

Lost Dog-gettyimages.com
Lost Dog-gettyimages.com

Ms. Sones gave us a prompt: “My dog is gone,” and gave us five minutes to write a few lines using trochee:

My dog is gone, lost, not loaned,
did he roam, lose his way home?
Does he groan somewhere, all alone?
A romp in the grass, and now he’s gone
Is he far from home?
No nuzzles, no cuddles, no paw raised high
Does he wait, watch for me, all alone?

 

It’s not the best 5 minute poem, but it does sound sad.  Using low vowel sounds is a useful and fairly easy way to express a  mournful or sad scene.

So there it is, four ways to enrich your writing.

Keep looking for courses you can afford, keep reading and happy writing.

 

 

 

poetry, Poetry Month, poets

Poetry on Wednesday: Haiku

Poetry On Wednesday (POW)-alvaradofrazier.com
Poetry On Wednesday (POW)-alvaradofrazier.com

 

Today is Poetry on Wednesday (POW) day.

Last week I mentioned Poetry Month and how I’d contribute to the celebration of words.

Because I just learned how a Haiku is structured, by terrific instructor Sonya Sones, I decided to do a Haiku for POW day.

Traditional Japanese Haiku not only have 17 syllables, they must also contain an inference or allusion to nature or season, in an unrhymed sequence, and be in the present moment. Very Zen like.

Haiku on Cherry Blossom-gettyimages
Haiku on Cherry Blossom-gettyimages

There are several forms/rules on the traditional, but for my novice self I’m adhering to the  5/7/5 syllables for each line:

 

You can’t force poems-they

force you to pick up a pen

and write the words you hide

 

Richard Wright, author and poet, composed over 4,000 Haiku’s during the last 18 months of his life. Prolific, indeed.

These three are traditional Haiku’s and some of my favorites:

 

Whitecaps on the bay:
A broken signboard banging
In the April wind.

 

 I am nobody:
A red sinking autumn sun
Took my name away.

 

In this rented room
One more winter stands outside
My dirty window pane

 

I’m going to work my way to traditional haiku and do some bilingual haiku, in tiempo ( time).

Give this poetic form a whirl. I believe you’ll learn to love its simplicity, form, and presentness.

It just might place you in a zen state.