Category: Writing groups

Encouragement, Inspiration, poetry, query letters, Writers, Writing, Writing classes, writing conferences, Writing groups, writing tips

Four Secrets to Poetic Prose-Part 2

Mona Alvarado Frazier
Secrets-gettyimages.com
Secrets-gettyimages.com

 

I have to tell you, I want to be a better writer.

I have stories to tell the world, and I’m tired of  my seven member critique group being the only ones to read them.

They may be tired of them too.

For almost six years, I’ve been writing stories which became an Adult Contemporary and two YA manuscripts.

I’ve spent the last year sending out queries, synopsis’, revising, and doing it all again. Still, no agent.

If you’re a writer, you might have a similar scenario to tell.

Until that ‘golden’ e-mail or phone call, I need to keep writing and improve what I’ve written.

I will not quit and neither should you.

 

That’s why I look for low cost classes. So many of us can’t afford to get an MFA or attend $400-$600 conferences.

But don’t let high prices stop you from improving your writing.

 

A few days ago, I posted the first two secrets to poetic prose, as described by author and poet, Sonya Sones.

Poetic prose refers to a narrative with some of the technical or literary qualities of poetry such as rhythm, patterned structure, or emotional heightening.

Let’s continue with the last two secrets:

 

3. The Rhythm of Three:

All sound breaks down into some sort of pattern of sounds. The syllables are either unstressed or stressed, pronounced more strongly, which gives us a beat and type of melody. 

In the children’s book, Grandfather Twilight by Barbara Berger, the entire book is almost all written with a rhythm of three (there are ‘non-three’ lines between the rhythm of three):

When the day is done, he closes his book, combs his beard and puts on his jacket.

He lifts the strand, takes one pearl from it, and closes the chest again. 

Can you hear the rhythm?

 

4. The Use of Trochiac:

Low vowel sounds evoke sadness. Use the ooh, o, um, and ah sounds.

Tell me not in mournful numbers  

Words such as  lost, roam, lunatics, olive, watching, rocking are examples of a trochee.

Lost Dog-gettyimages.com
Lost Dog-gettyimages.com

Ms. Sones gave us a prompt: “My dog is gone,” and gave us five minutes to write a few lines using trochee:

My dog is gone, lost, not loaned,
did he roam, lose his way home?
Does he groan somewhere, all alone?
A romp in the grass, and now he’s gone
Is he far from home?
No nuzzles, no cuddles, no paw raised high
Does he wait, watch for me, all alone?

 

It’s not the best 5 minute poem, but it does sound sad.  Using low vowel sounds is a useful and fairly easy way to express a  mournful or sad scene.

So there it is, four ways to enrich your writing.

Keep looking for courses you can afford, keep reading and happy writing.

 

 

 

Natalie Goldberg, Writer Retreats, Writing, Writing groups

Writer’s Group- The Perks

Mona Alvarado Frazier

There are so many perks from belonging to a great writer’s group. For the past two and a half years I’ve been involved in a women’s writers group: Women Who Write (WoWW). It was a case of serendipity that I was invited to this group of interesting, passionate, eclectic group of women writer’s and poets. Lucky for me I was accepted by the group (they decided I was a good fit) and my pen joined their own.

Sometimes the group is eight people strong and other times there are four of us who meet twice a month for three hours a session. We write fiction, non-fiction, poetry, children’s books, YA books and novels. Some are published (5 times and WoWW is on that books dedication page ) and others not published, yet. And we always pot-luck. I’ve had the most wonderful food at our pot-lucks. Even more fantastic is that our group was free to join.

If you’re not in a writer’s group, find your way to one, as quick as you can. Some very large writer’s club’s have listing of smaller subgroups, coffee shops sometimes have them listed on the bulletin board, or you can find listing in writer’s magazines or your local paper.
The benefits of such a group are numerous. Off the top of my fingers: motivation, support, time to write (you have to carve out some time each month), discipline (you have to bring 1 to 5 pages of what you have written), input and critique (your writing improves if you don’t have thin skin and a thick ego), connection to others, creative energy & synergy (impromptu writings), and friendship. 
And one of the biggest perks? Writing retreats. Once a quarter we spend 8 hours to 7 days together. We’re not rich, but through various connections (remember one has been published 5 times) we have written in Mesilla, New Mexico with Denise Chavez (Loving Pedro Infante, Last of the Menu Girls), at a local  beach house for the weekend, in Santa Ynez for the day (photo below), Catalina Island, Santa Barbara and New Zealand (a member has a relative with a B & B). Not everyone goes every time, some women have small children, others  spouses and/or there are other priorities that weekend. 
Our retreats have been spent in surf, sand, heat, cold, and once during a flood when we were holed up in our hotel rooms. But we still had our retreat. Our wonderful group leader begins the day with a candle lighting ceremony where we each tell each other what we want to accomplish; we put out to the universe what we want for our writing time. An excerpt from The Artist Way by Julia Cameron or Writing Down the Bones by Natalie Goldberg, is read and then we begin. 
We do a generative writing where we can write from a writing prompt for 5 minutes, then 10, then 20 minutes. It’s amazing what comes out of your pen in those few minutes. It’s invigorating, you prove to yourself that you can do it. Then we read to each other, or not, it’s whatever we feel like doing. 
Another exercise is to find something inside or outside and we sketch the object, write down every word (not sentence) that comes to mind when you see the object, then create a story from it. It can be a painting, insect, vase, your flowers seeds, anything. It doesn’t matter if your sketch looks like the object or not. I usually have to tell the group what I drew first. Again, it’s mind-boggling what you can write when you are immersed in the group. 
Depending on whether it is an 8 hour retreat or two days, we always make time to write on our own, whether it’s revisions, continuing our Work In Progress (WIP), or developing a work. After we write we nap, swim, take a walk, or lay out for a while until the designated time we decide to come together for a picnic or put together a meal. 
We have a closing ceremony too where we say one or two words to describe how we feel. Then the candle is blown out, we hug each other, kiss-kiss, and go on our merry way. And we are indeed merry, full of ideas, proud of ourselves for taking the time to write, to grow, and share. 
In the latter part of 2012 we hope to have our writer’s group meet up in Paris, where two of us will be staying for a couple of months (a dream in the making). You never know what will happen when you join a writing group. I must study up on my French. Bonne nuit, mes amis!