" Strenght, Agents, Authors, Books, Encouragement, poetry, poets, Publishing, query letters, Wisdom, Writing

Seven Actions To Take After A Rejection Letter

Debbie Ohi knows.
Debbie Ohi knows.

Rejection letters can knock you on your butt. And that’s okay, it happens, stuff hurts, rejection sucks. But you can’t stay on the floor, rubbing your a**.

1.  Get your butt off the floor and go do something nice for yourself. Take a walk, draw, watch a comedy, play with your kids or pet. This includes eating or drinking-5 minute limit. Put on the timer.

After 30+ ‘thank you, but no thank you’ emails on one manuscript and going on 20 for another, I’ve numbed out when I begin  reading text that begins with “Dear Author.” (As I type, I swear another ‘Dear Author’ email blurb popped up on my screen).

Mona AlvaradoFrazier-Dear Author
Mona AlvaradoFrazier-Dear Author

2. Don’t stuff your feelings. I usually say, “Ah, crap,” or “Pftttt.” Sometimes I whine, “I’m never going to get published….” You can ‘wau-wau’ ‘boo-boo,’ but only for five minutes-again, put on the timer.

3. Think of the ‘no thank you,’ like James Lee Burke (his novels have been made into films):

“Every rejection is incremental payment on your dues that in some way will be translated back into your work.”
—James Lee Burke

I’ve also had many more emails that begin with my actual name and say some nice things before the ‘NO’ comes. The agent tries to soften the blow. Bless his/her little heart. 

4. With each rejection, I file the email in my little folder and then I either re-read the MS, or ask my writing sisters for more critique. Keep trying.

Twice, out of 50+ times, I’ve had what felt like B-12 shots to the heart.

“I’d love to read more, please send the entire manuscript…”

Six weeks later I get another type of shot, one in the butt.

“After careful consideration….Uh, no.” Well that’s not entirely true. One rejection felt like that while the other was thoughtful.

5. If someone gives you specific criticism, regard it as a gift. Let them know you appreciate their comments. 

This agent took the time to explain why she didn’t accept the MS. She supplied some examples, some suggestions, all in a couple of paragraphs. I felt respected, overjoyed, and then grateful.

I shared the agents comments with my writing sisters. They were happy for me. Why? Because I know, we know, that I am much farther along the road to getting an acceptance than I once thought. I’m going to work on those weak areas for the next month or until I get it right.

“An absolutely necessary part of a writer’s equipment, almost as necessary as talent, is the ability to stand up under punishment, both the punishment the world hands out and the punishment he inflicts upon himself.”
—Irwin Shaw

Rejection letters are part of the process of writing. That’s just the way it is, for writers, for everybody. It takes a strong woman/man, a bien chingona to keep writing pass the hill of rejection letters. 

6. Turn your rejection around and see what you can gain. Go get the timer again. Shut off your computer. Now, write out your feelings, huff and puff, or boo-hoo on paper. Rip it to shreds if you want. Slam dunk it into the wastebasket. Or put it away for when you need that kind of emotion in one of your stories or poems.

7. Keep growing. Attend a critique group. Enroll in online or offline classes. Keep reading. Attend at least one conference a year. Spend more time on your writing work than on social media. (You can devote more time to that area after you’re published). 

I know you can do it. Keep on writing.

 

 

 

 

 

 

blogs, Ojai Wordfest, Pat Fry, Promoting your book, Publishing

"The 10 Best Ways to Promote Your Book"-Part 2 of Wordfest workshop.

     Yesterday I talked about the first half of Pat Fry’s workshop. Today I’ll list her 10 ways to promote your book and include some information from other sources that fall into Pat’s listed categories. By now the newbie writer knows that promoting (selling) their book can be more difficult than writing their novel. That’s the purpose of blogging this kind of information. It’s not to discourage, it’s to educate one in the realities… not to beat you up but beef you up. It’s the author’s responsibility to promote the book.
     Okay, so celebrities of all sorts (movies, TV, radio) get an easy ride. All they have to do is show up at their own book signing, tweet about it, or hold up their book while on the Today show and droves of readers run to the bookstores or make a few clicks online. The book can be drivel, violate all rules of grammar, or shift in the point of view until the eyes cross, but it still gets the attention and the sales.
    But for the rest of us, there are some concrete things to do to promote your book, short of doing what the photo below suggests.

 Let’s get started:

1. Build promotion into your non-fiction: interview people, name them and they will want to see your book in print. Involve products with permission and promote book in that type of business: i.e. motorcycles, computer software, tourism bureaus or tourist locations.
2. Public speaking: Yes you may have to brush up on your presentation skills and step outside your comfort zone. Be flexible, be an actor, be ready to go this route as part of promotion.
3. Build a meaningful blog, website or both. Did you catch that word “meaningful?”  Keep up the site, do regular maintenance, keep it fresh and professional. There are so many writers, agents, and publishers who share valuable information. Get into that spirit of generosity. Blogs are an integral part of the writing community, participate.
4. Connect with your audience: join a club, group or several blogs that write in your genre. Collect contact info from writing groups, bookstores, other authors.
5. Get book reviews: An agent can help in this area or you can send out your book to get reviews before you are published. Use those contacts from clubs, groups, Publisher’s Weekly, and other sources.
6. Book signings: Go to writer conferences, book festivals, cultural events that relate to your subject or genre, contact independent bookstores, local colleges, professional organizations if the subject relates to their group.
7. Write articles and/or stories for local or national magazines.
8. Use social media: use this for special prices or pre-sales of your book, virtual booktours, and give-aways.
9. Join organizations that are specific to your genre: historical fiction, mystery, romance, Christian and all sub-genres.
10.Spy on other authors: how are they promoting their book, what conference are they attending, read their blogs.

     If all this seems too daunting, not your style, or you don’t want to be bothered, your book may die a quick death. Not necessarily because it’s not a good story, but because it didn’t get noticed.

     Or you can get out the megaphone, put on the red shoes, go to a talk show and stand outside waving your book, until a security guard escorts you away. You have to get publicity some way, right?

     Tomorrow, I’ll go over the third workshop I attended, “Working with the Media.”
                         

Agents, Ojai Wordfest, Pat Fry, Publishing, Self Publishing, Writers conferences

"Simple Steps to Successful Authorship" workshop-Ojai Wordfest

     Laptop, coffee, pajamas, more coffee….that is some of what it takes for me to sit my butt in the chair and write. So say you are now finished with your manuscript (MS), one, three or ten years later. How do you prepare that MS for publication? Pat Fry of S.P.A.W.N (info below) has written since 1973 and has hundreds of magazine articles and 33 books to her name. I think she’s qualified to tell us how we can do that. Her introductory line, “Publishing is not an extension of your writing. It’s a business and fiercely competitive,” got my attention. So you finished your manuscript, now what?
     These are your choices: The big 6 publishing houses, small presses or choosing the booming industry of self publishing or as she called it, the ‘pay for publishing.’ (I’ll call it P4P). But first, be aware of the daunting 2009 USA stat which cites 76% of all published books fail. Failure is defined as selling 100 copies or less. Over 1 million books are published per year, yes per year. The Big 6 and their subsidiaries published 288 thousand, with 756 thousand self published. There are more than 90 thousand P4P’s. You want to be in that 24% who publish, right, so how do you decide?
     First, what is your genre and how does it fit into the big 6 or small presses? Pick up a book in the genre you’ve written, look inside for the publisher and determine if your MS falls into their scheme of things. Second, find an agent. Many writer’s found an agent by participating in writer’s conferences, use http://www.allconferences.com or http://writersconf.org to find conferences. They often have a pay for review of pages workshop where you can meet face to face with an agent. Get a referral from an associate. Another source is from blogs. Follow agent or publishers blogs (I follow three) to see what they’re about and whether you want to send them a query. They all have instructions on how to send the query and what genre they accept.
    Let’s say you’ve decided to go with a P4P. Don’t just Google ‘self publishing’ (remember there are thousands of them). A book by Mark Levine, “The Fine Print of Self Publishing,” is now in its 3rd Edition. He lists the outstanding ones (Aventine Press, Booklocker, and 8 more), then the good, the bad, and the ugly (Authorhouse, Publish America, Trapper, and more). I’m sure Amazon has more of the same type of books.
   Finally, educate yourself about the business of publishing: read, read, read. A place to check, or a ‘warning site’ for unscrupulous publishers are: http://www.writersweekly.com/whispers_and_warnings.php, http://www.sfwa.org/for-authors/writer-beware or for specific companies or individuals use Google, keyword ‘warning’ plus name of person or company.
     Bottom line, Pat says, you have to approach the publication of your finished MS like a business person with a business plan. Daunting yes, but very important if you want to be in the 24%. The workshop was valuable and I’d probably go to another one just for the educational refresher. But for now, excuse me, I have to go brew another pot of coffee.

Pat is the President of Small Publishers, Artists & Writers Network (SPAWN): http://www.spawn.org and she owns Matilija Press in Ojai, CA.

Tomorrow I’ll go over the ‘Ten Best Ways to Promote Your Book’ also by Pat Fry. Until then,
Write On.
    

E-readers, future of books, Meg Leder, Publishing

The Future of Print Books, Something to Think About

This is a repost I thought you might enjoy. It generated a conversation between my kids (young adults) and the future of printed books. Would e-books take over books in print? Both of them said no, not even in ten or twenty years. There would still be book lovers who wanted the feel of paper in their hand, the smell of a new book, and the ability to put the book away to reread later. The e-readers were great for traveling and they saved the use of paper, but they couldn’t imagine reading in bed with an e-reader. I didn’t tell them, but as much as I love books, I could imagine using an e-reader in bed-if only to free up my end tables. 

Change Is Afoot in the Great World of Publishing, and This Is Terrifying

Posted by Meg Leder
“If you love books enough, books will love you back.”                                                                                                –Jo Walton, Among Others
Lately, I’ve been trying really hard not to get stressed out by the world of publishing.
Example #1: Recently, I was having dinner with a book designer friend who was lamenting the rise of e-readers and what it means for people who cherish books as objects, as well as the designers who meticulously create and lay out these beautiful printed designs. I told her I believe there will always be a market for books as objects, but that the electronic world was potentially opening up the door for even more readers, people who might not ever have picked up a book before, and there was a need for beautiful design in these formats as well. And yeah, the change is scary, but there are potentially really good things coming from all of this change.
Example #2: During this same dinner, a freelance editor friend was asking about Borders, and what their financial difficulties might mean for all of us in publishing—publishers, authors, and readers. I told her that I think there will always be people who want to read, and whether they find their books at Borders or B&N or their local independent bookstore, they will still seek out books. Yeah, the climate is kind of scary, but there are potentially really good things coming from all of this change.
Example #3: The next day, my young adult book club was talking about how much growing up we loved to read Judy Blume books. And someone asked, “Do you think kids will still read Judy Blume, even if she doesn’t talk about texting and the internet and Facebook and whatnot? Will she become outdated?” I said Anne of Green Gables was my favorite book as a kid, and I still related to it, even though I didn’t go to school in a horse-drawn carriage, so yeah, I think readers will respond to Judy Blume books the same way. Sure, the reading world is changing rapidly, but there are potentially really good things coming from these changes. 
During all these talks, I felt brave and confident, bolstered by a belief in the importance of the work we do—that there is an intrinsic human need for books—for stories and instruction—and this need will carry us through this time of change. But honestly, inside, I still felt anxious. Change is unpleasant under even the best of circumstances, and when your livelihood and passion is affected by change, even dictated by it, life feels a bit more daunting.
I recently read a lovely novel called Among Others by Jo Walton. In it, the young narrator, who’s undergone the horrific loss of her twin sister and is confronting the lonely world of boarding school, finds escape and solace in the pages of science fiction and fantasy books. No matter what change is whirling around her, she always has Asimov and LeGuin and Tolkien. Near the end, she writes, “If you love books enough, books will love you back.”
It’s good to hear and remember those words during this time of change. We’re all here—in the publishing world, in bookstores, reading this blog—because we love books. We publish books because we love them, we read books because we love them, we write books because we love them. Even with all of these industry shifts happening around us, those facts aren’t going to change.
And in return, books stimulate our imaginations, they move us to action, they help us solve problems, they entertain us with story. Quite simply, they love us back. Those facts aren’t going to change, either.
So the next time I feel stressed about publishing, I need to remember that whatever the format, whatever the sales venue, whatever the content, readers will always love books. And in return, books will keep loving us.