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Writing Communities

Hemingway quote on writing
Born or Learned? http://www.alvaradofrazier.com

 

Hemingway’s quote settles the debate over whether people are born writers or if writing can be taught. Whether you’re a natural at writing or not, everyone has to work to improve their ability.

Three years ago, I participated in the Platform Challenge, given by Robert Lee Brewer, from Writer’s Digest who described himself as a poet, editor, and happy smack talker. The latter captured my interest and I joined.

Our challenge was to try a different tool, process or form of social media every day in order to build an online platform. Over 300 writers formed around that challenge and when it was over, most of the group banded together and founded Wordsmith Studio, a community of writers, of which I’m a founding member.

Many of the members are now published authors, poets, editors, book reviewers, and all around lovely writers. I’ve met so many writers who have brought me stories and poems that delighted, inspired or gave me a new perspective on a subject.

To commemorate our three-year anniversary, we are catching up with group members who are spread all over the nation by using writing prompts as a means of checking in with one another and celebrating our three-year anniversary with a blog hop.

This week’s prompt is to share our challenges and successes, to reflect on skills, tools or resources that helped us find success. And by success, I don’t mean I’m a published author with thousands of sales. Success means I’m improving, still writing stories, and sending out queries.

Now, on to the questions:

1) What are you currently working on? One of my YA manuscript’s (ms) is out in query stage after too many to count revisions and two editors (hey, it was my first novel). I’m having the hardest time with finding an agent to take on a ‘girl in prison’ story. 

The second one, Women’s Fiction, was given the once-over by an editor I met online who did a wonderful job. The third ms is on a hard drive. The fourth work in progress, a New Adult, is halfway completed.

2) For past work, what was your greatest joy or greatest challenge?

The best things that I’ve enjoyed is receiving a fellowship, twice, to A Room Of Her Own (AROHO) Foundation for their biannual writers retreat and accepted as a ‘mentee’ into the Association of Writers and Writing Programs (AWP) Mentorship three month program. My mentor is an author and creative writing professor at a university.

The other best thing is when people say great things about your writing. My AWP mentor’s encouraging words, “There are remarkable revisions in this ms…Juana’s story continues to grow with drama and emotion, with compelling lives and stories, …what strikes me from the very beginning are the beautiful and powerful images that (she) remembers, imagines, and culls from her life; images you compose with beauty and power.”

From my recent editor on the second ms: “Your (ms) opens with some of the most brilliant writing I have seen for some time. There is an air of literary style, coupled with a control of sentence structure that creates an atmosphere thick with emotion. Helpless, vulnerable, deeply hurt, but with a bit of hope and denial…” 

3) For current work, what challenge are you working through now? 

My goal is to revise the Women’s Fiction ms during May. Although my editor had great comments about the novel, there are many other not so good areas to fix.

4) What have successes or challenges in your work (recently) taught you?

Utilize all the help you can get. By that I mean go to at least one workshop or conference a year on writing craft. Participate in an going critique group. Online you can use Critique Circle. Be persistent, disciplined, and believe in what you’re doing. Writer’s have to be in it for the long haul-years, decades, not months.

Being a pantser did not work out for me. My first novel has taken years and numerous revisions because I did not know story structure. I will never be a plotter, but I have found that a loose outline helps tremendously. Study story structure. I like Larry Brooks’ blog from Storyfix.

I use too many commas, use the words ‘just,’ ‘even’ and ‘was.’ To help me with grammar, redundant words, and passives I bought a month of AutoCrit. I needed it so much that I ended up buying the editing service for a year. I also use Grammarly.

6) What obstacles or challenges have you not been able to overcome, or still frustrate you?

Writing query and synopsis letters is still the most frustrating and non-fun thing to do. I would like to outsource this work.

7) How would you describe a great writing day (or week)?

Writing in my pajamas, with fresh hot coffee at my side, glancing at the flowers on my patio once in a while, and finishing what I set out to do that morning makes me feel satisfied. Taking a walk in the late afternoon and reading an absorbing book tops off a great writing day.

And in the words of Winston Churchill:

winston-c

 

 

If you are from the Wordsmith community, stop by and click a ‘Like,’ subscribe, or say hello in the comments. Thanks for reading and have a fun weekend.

 

Books, France, http://schemas.google.com/blogger/2008/kind#post, Renni Brown, self editing, Shelly Lowenkopf, Toni Lopopolo, writer routines, Writing, Writing Resources, writing tips

Tips for an Incredible Writing Weekend

It is the evening of my departure for my month long adventure to France. Some anticipatory butterflies are fluttering through my stomach. 

My bags and travel apps are packed. (And yes, I do need to recharge the battery). 

The kids have heard the Riot Act in a couple of different versions. Everything seems like a go, but I’m sure once I’m on the airplane I’ll remember one or two things that are sitting on my dresser at home and not in my suitcase. 

I know I’ll miss my family, my boyfriend, my dog Chip, (but not KiKi the cat- the feeling is mutual). What I didn’t expect was something that crossed my mind a few minutes ago. 

I’m really going to miss my writing ritual. 

The one where I roll out of bed, stretch, push the power button on my laptop,before I go into the kitchen to make a pot of coffee and return to my swivel chair with a big mug of steaming coffee, a dash of half and half, and my peanut butter toast. For two hours, sometimes more, I type, refill the coffee cup, and blow crumbs off my desk.

When my friend Amada and I arrive in Upper Normandy on the 1st of September we will have to  establish new writing routines. Luckily both of us are early morning writers and both of us like quiet. 

During this Labor Day weekend, I’m sure you will want to squeeze in some time to put pen to paper or fingers to the keyboard. With that thought I’d like to share some tips for your writing weekend. 

1-These 10 gems for first time novelists to think about are from former St. Martin’s Press editor Toni Lopopolo, Agent in her “Bare Knuckle Writing Workshops.” One of the most important tip is: 

Mistake # 9: Poor Self Editing Skills: FTNs haven’t learned to self edit by editing other writers’ fiction, or by reading the recommended books

Sure, you can pay for a professional edit (anywhere from $4 a page to a flat rate of $ 2000) or you can learn how to self edit, make your story stronger, and save the $$$ for a trip abroad or a new roof.

2-A terrific book, Self Editing for Fiction Writers (How to Edit Yourself into Print) by Renni Browne and Dave King (Editors at William Morrow and Writer’s Digest) is a must for a writer. I belong to a writing group, a writing club, and recently the Goodreads pick for our online writer’s group, Wordsmith Studio. This book has been a must read for all three groups. 

The topics which first time novelists find hard to grasp and usually lack in their stories are:

  •  three dimensional characters, 
  • maintaining point of view, 
  • interior monologue, and 
  • voice

This handy reference book delves into subjects such as showing and telling in a way as to engage the readers’ emotionsEach of the 12 Chapters has a checklist so that you can apply the concepts to your work. 

If you’re not at the self editing stage yet, here are some amazing questions and tips about story, from an instructor I’ve had the privilege to meet. 

3-Shelley Lowenkopf is an editor, writer, and Professor Emeritus at USC. In his Seven Things You Write A Story to Discover you are asked to consider the who, what, where, why and more of story. The question, “Why should we care?” is most important.

We tend to care about stories dramatizing experiences that squeeze characters in ways similar to the squeezes and pressures we have experienced.  We care if someone we identify with is vulnerable.” 

 If the reader doesn’t care, they will stop reading. End of story. 

4-For those of you who are in the throes of revision here’s a handy guide that explains editing marks-you know those scribbles all over your work in progress or manuscript.  

Author’s Success Platform

I’m going to skip tip # 5 for another day, another post, because this one is longer than I anticipated. IF you have a 5th tip let us know in the comment section. We really want to know.


Now, I must get back to the suitcase on the floor and cast out some unlucky clothes. 

And remember, before you start your Writer’s Weekend please:


 Au Revoir Mon Ami’s.